Peter Lamont's recent book on Daniel Home, The First Psychic, has been sitting on my bookshelf for the past year, and I've just got round to it. I bought it to keep up with what's being said about psychical research in public, but put off reading it, because I couldn't face the condescending treatment that writers often adopt when talking about psychics ('look at me, being very daring and talking about THE PARANORMAL, of course it's all nonsense, but no harm in just having a quick look at these funny people and their clever tricks, etc.'
In the event I was pleasantly surprised. The text is clear and readable: it looks as though Lamont's really taken trouble over it, and he's got a good grip on the sources. He makes the necessary qualification right at the start - 'Daniel Home was the world's first psychic. Perhaps he was a charlatan, but that makes him no less mysterious...' - and the 'perhaps he was a charlatan' line is repeated throughout. But he quickly establishes that he takes Home seriously and that conjuring is no good explanation for at least some of the things that hundreds of people said they saw happen during Home's séances. The militant scoffers like David Brewster, Charles Dickens and Robert Browning come off rather badly, and the debunkers don't get much support.
They get their say in another recent book, Knock, Knock, Knock! Who's There? by Patrick Waddington, which by chance is reviewed in the current SPR Journal by Zofia Weaver (I could find no details about the book online, but it's a New Zealand publisher, Whirinaki Press, 2007). Waddington follows the line that the only possible explanations for Home's feats are conjuring or delusion, since they are impossible in nature, and comes up with creative 'solutions' apparently without caring much for plausibility. A lot of it's just innuendo: if Home complains of being ill, he is 'playing the card of poor health' or 'remembering to be ill'; a mugging incident must have been staged by Home himself, and so on. Weaver also remarks on Waddington's curiously old-fashioned exhortations, reminiscent of Victorian tracts: 'Men and women of good sense need to resist [spiritualism], now as always, by appealing against its absurdity'.
Like may debunkers, Waddington can't make the distinction between psi and survival. Referring to Home's séances at the Tsar's court in Russia he approvingly quotes hostile comments by a courtier named Anna Tyutcheva, who, he says, rejected any supernaturalist interpretation of what she saw. Actually, Weaver says, she rejected the spiritualist interpretation - not at all the same thing. She provides a translation of Tyutcheva's diary entry, as follows:
The table, on which we rested our hands but only lightly, rose up from the ground to a significant height, tilting to the left and to the right, while neither the lamp, nor the pencil, nor any of the other objects lying on the table, moved at all from their places, even the flame of the lamp did not sway. The table answered with blows; one meant - no, two times - perhaps, three times - yes; five times meant that the table wants the alphabet, and then it indicates the letters with knocks. I received answers to my questions by means of blows under my stool; as my stool was a wicker one, I felt the blows as much as I heard them. I first asked the table whether it was a spirit. The table answered that it was the spirit of a dead man and demanded the alphabet, but refused to write for anybody apart from Prince Suvorov, and for him it wrote the name Friedrich...
We saw the accordion, held by Home, play by an invisible hand some very moving church chants. It also played when held by Mrs Maltseva and Princess Dolgurukaya. We heard the rustle of a hand on the silk dress of Princes Dolgorukaya, and in this way answers consisting of "yes" or "no" were given. I was firmly grasped by the knees. All the time I and all those present felt ice-cold breezes on our hands and legs. As far as I am concerned, I was quite stupefied and, moreover, was fighting off sleep, even though I was very interested in what was going on. (That night I slept eight hours straight through, although I had been suffering from insomnia because of headache and toothache.)
One of my first questions to the spirit was whether he can manifest in stools as well as tables, and all the time I felt small blows on my stool... all the blows were taking place with unbelievable speed, there is no way in which the actions of a person, or even a number of people, could keep lifting a big and heavy table with such speed. This must be either a magnetic phenomenon, not observed until now, or it is supernatural. But in the latter case you ask yourself, why are these manifestations so stupid...
The most curious thing, in my view, is that the large clock with the playing monkeys, which I have already described and which after Home's last séance at Tsarskoye [Selo] woke me up in the night when the mechanisms started working by itself without being wound - the very same clock, which has been moved here and put on top of the wardrobe, and which had not been wound and had not played since then, started working against this morning, although it has not been touched; all the monkeys started moving and the noise was tremendous. But this mechanism is very difficult to wind, requiring a thick key, and only then will all the three monkeys start playing their instruments. I must say that this incident made me feel uneasy. During the séance itself, on the contrary, I did not feel frightened at all, and felt more like enjoying it and laughing; as soon as I felt a touch I would involuntarily cry out.
Weaver comments that when one reads the relevant diary entries in full it is clear that the various ad hoc sittings precluded any chances of setting up a conjuring apparatus. Intriguingly, she points out also that present at the séance was the Tsar's chief of the secret police, the real power behind the throne, who would certainly have had Home's possessions and activities thoroughly examined without his knowledge, not necessarily because of his mediumistic abilities, but because of his influential connections with a family of anti-Russian Poles exiled to France.
I realise that some people find it easier deal with these sorts of claims by manufacturing conjuring scenarios - that Home had levers attached to his feet, that he should have been tied up, that he'd pressed the family's children into acting as his accomplices, and so on. But I'm with those who get worn down by the sheer amount of description of this kind, and the variety and impressiveness of the effects. If the conjuring scenarios worked, that would be OK, but they don't. That seems to be Lamont's position too - himself a magician, and a former chairman of the Edinburgh Magic Circle - although in his book it's more implied than insisted on.
But what does Lamont make of it? In a final 'postscript' he puts forward the idea of The Trickster, found in the mythology of many cultures, and since myths can be read in many ways, we are free to make what sense of it we can. 'Perhaps we need to be reminded that uncertainty is real and certainty an illusion,' he suggests. 'After all, is there anything of which we can be truly certain?' Reality is what we observe, our idea of it, never the thing itself, which may be unknowable. Whatever explanation we feel comfortable with - that it's 'a trick without an explanation, an unknown force without a theory, or perhaps the work of spirits' - are just ways of categorizing it, but don't tell us anything.
So we have a choice of boxes, but if none of them is adequate, we might simply decline to use any of them. We could instead recognize that we do not always know what is going on, that perhaps we never know for certain. ... When faced with an anomaly, we can see it as a problem, as a source of confusion that upsets our comfortable world-view. Or we might use it to remind ourselves that reality is not so comfortable after all, that behind the boxes we have built lies a more complex universe, and therefore a sense of mystery that may never be removed.
So in that sense, Lamont concludes, Home was a Trickster, who upset the Victorians, forcing them to question their comfortable world-view, and making them wonder what they really knew what was going on.
All this seems very wise, and I agree with it - as far as it goes. Anyone with ambitions to write about the paranormal for a mainstream audience has to perform a delicate balancing act. It's risky to push your own point of view: you have to sketch out different ideas and responses so that people can take their pick. Lamont is a lecturer at the Koestler Parapsychology Unit at the University of Edinburgh, and if there's one thing these guys have to know how to do, it's get people interested in psychical phenomena without scaring them off. There's a lot of subtlety and sensitivity in this.
Yet for me all this is just a way of talking. It's what happens when one worldview hits the buffers, and another is struggling to be born. The Trickster is a great image for uncertainty, ambiguity and confusion, but that's all it is. I don't believe that humans collectively are fated always to view psychics and psychism as a bizarre anomaly, or as a cause for anxiety. For many of us individually psi is in a certain sense coherent and meaningful, and points to a quite different way of looking at the world, one that can even help determine how we live this life. It's just that that view is just never going to get aired in a mainstream biography.